Post by Krew on Jan 25, 2010 16:38:18 GMT -5
1. PARTY CALL
: I thought this scene was mostly useless, and really was just stupid and unneeded after reading it over. The dialoge isn't really good either.
2. EXTENDED DR. MIXTER DEATH/ LAURIE CHASE
: I regret cutting this scene so much. I thought it was particularly scary, and really showed Michael's sadistic playfulness. If I could have thought about it and kept one thing in the movie, this would have been it. But, I wanted to trim down the overly long script so this was one thing that I sacrificed. Consider this scene back in there, as I would now.
3. EXTENDED HOSPITAL CHASE SCENE/OUTSIDE SCENE FROM TRAILER/ MICHAEL'S ESCAPE
: ANother should have right here. I always felt like the hospital basement scene was way to rushed in the ending, and this was originally how it panned out. I like this better, as it also leads to how Michael hid his mask and knife in the graveyard.
4. WE FOUND HIM/ HE'S DEAD
: DEFINETLY SHOULD HAVE KEPT IN. Do not know WHAT I was thinking upon taking this out, as I realized I never explained how he his his mask or knife after taking it out. Now you know. Plus, I just liked this scene.
5. EXTENDED ENDING
: I could take or leave this ending, really. It was way overlong, and a little too on beat. I don't know, with the stabbing through the wall and everything, it's already been seen in the movie with the bath room door, and the random weapon Laurie finds it's just not for me. And it kind of seemed like Brackett just showed up, like he shared a mind with Laurie or something. I did thing the Loomis-esque dialouge was cool though.
OTHER SCENES
I also had another hallucination from Laurie. It took place right after she got off of the phone with Brackett outside of the Brackett house at her Halloween get together. Laurie envisions that Kelli is trapped in the closet upstairs, and Michael is breakign into it, and then he rips her out and stabs her repeatedly.
Some of it was in the first trailer, but I don't know what happened to this scene. It was useless as I liked the idea that Laurie went upstairs as a dynamic, and fearless character not because she had a vision that Kelli was getting killed.
Tell me what you think, and what I should have kept in and not! Thanks
.
Brackett quickly snaps out of it, and grabs the phone again.
SHERIFF BRACKETT
Shit! Laurie!
BUZZ.
BUZZ.
Laurie's cell phone vibrates in her pants pocket. Laurie pulls out her Motorola cell phone , and looks at the screen.
LAURIE STRODE
Shit! It's Brackett. What do I say?
LEXY GRAIN
Just say that we went to the library to get some new study books.
KELLI HARDY
Shut the fuck up! Just say we rented some movies.
LAURIE STRODE
Okay.
Laurie presses the green phone symbol on her cell phone, and puts the little thing up to her ear.
LAURIE STRODE
(Into the phone)
Hello?
SHERIFF BRACKETT
Hello Laurie, what's going on?
LAURIE STRODE
Nothing, we just got back from BlockBuster, we got some movies.
SHERIFF BRACKETT
Oh, okay, that's good. Just call me if you need anything.
LAURIE STRODE
Okay, Mr. B. Good night.
SHERIFF BRACKETT
Good night Laurie. Oh! and remember to come home early tomorrow, you have an early appointment with Michelle.
LAURIE STRODE
Okay, Brackett, see ya tomorrow.
SHERIFF BRACKETT
You seem to be in a rush, dear.
LAURIE STRODE
No, no rush at all. I just really want to watch this movie.
SHERIFF BRACKETT
Well, I won't keep you any longer. Bye, sweetie.
LAURIE STRODE
Bye, Mr. B.
Laurie presses the red button on her front dial pad, and the screen says 'CALL ENDED". Laurie sticks the phone back into her pocket.
SHERIFF BRACKETT
Shit! Laurie!
BUZZ.
BUZZ.
Laurie's cell phone vibrates in her pants pocket. Laurie pulls out her Motorola cell phone , and looks at the screen.
LAURIE STRODE
Shit! It's Brackett. What do I say?
LEXY GRAIN
Just say that we went to the library to get some new study books.
KELLI HARDY
Shut the fuck up! Just say we rented some movies.
LAURIE STRODE
Okay.
Laurie presses the green phone symbol on her cell phone, and puts the little thing up to her ear.
LAURIE STRODE
(Into the phone)
Hello?
SHERIFF BRACKETT
Hello Laurie, what's going on?
LAURIE STRODE
Nothing, we just got back from BlockBuster, we got some movies.
SHERIFF BRACKETT
Oh, okay, that's good. Just call me if you need anything.
LAURIE STRODE
Okay, Mr. B. Good night.
SHERIFF BRACKETT
Good night Laurie. Oh! and remember to come home early tomorrow, you have an early appointment with Michelle.
LAURIE STRODE
Okay, Brackett, see ya tomorrow.
SHERIFF BRACKETT
You seem to be in a rush, dear.
LAURIE STRODE
No, no rush at all. I just really want to watch this movie.
SHERIFF BRACKETT
Well, I won't keep you any longer. Bye, sweetie.
LAURIE STRODE
Bye, Mr. B.
Laurie presses the red button on her front dial pad, and the screen says 'CALL ENDED". Laurie sticks the phone back into her pocket.
: I thought this scene was mostly useless, and really was just stupid and unneeded after reading it over. The dialoge isn't really good either.
2. EXTENDED DR. MIXTER DEATH/ LAURIE CHASE
INT. HADDONFIELD GENERAL HALLWAY- NIGHT
Laurie roams into the dark hospital hallway. She looks like she needs a long night's rest. She has bags under her eye's at this point, and her arm injury has started bleeding again.
Laurie slowly limps down the long hallway. She uses the wall to her advantage, trying to keep herself from face planting onto the ground.
LAURIE STRODE
Dr. Mixter? Hello?
Laurie looks behind her, no one. She continues walking down the hallway.
"Time of the Season" still plays on the radio in the hospital.
Laurie stops in the middle of the hallway to rest. She looks to be in major pain. She is about to fall out of her own body.
Laurie grabs onto the wall, trying to keep herself up, but she slowly slips onto the ground.
"Laurie's Theme" by John Carpenter plays now.
Laurie crawls on the ground, heading towards the empty office across the hall. Laurie enters into the little space, a glass window surrounds the front, and a single desk sits right behind it, a chair in front.
Laurie crawls underneath the desk, and holds her casted leg in severe pain. Tears roll down Laurie's eyes, she wipes them away.
SLAM!
Laurie jumps.
LAURIE STRODE
Dr. Mixter?
Laurie crawls out from underneath the desk, and see's Dr. Mixter emerging from the stairway door.
It's Dr. Mixter.
DR. MIXTER
Laurie. I couldn't find a phone but, I think you should go back into the room, and wait for me to drive down to the police station.
LAURIE STRODE
Okay. Can you please help me? My leg hurts.
CREEK.
The door behind Dr. Mixter opens, and Michael emerges out of it, slowly. Laurie's eye bulge, and Dr. Mixter look confused.
DR. MIXTER
Laurie, what's going on?
Michael GRABS DR. MIXTER by the neck, AND SLASHES HIS THROAT WITH HIS KNIFE. Dr. Mixter falls to the ground.
Michael looks down teh hallway, Laurie is gone.
INT. OFFICE SPACE- NIGHT
Laurie is back under the desk, with her hand over her mouth. Laurie wipes away fear tears, and edges her self deeper into the corner of the desk.
Two legs appear in front of the DESK! Laurie tightly closes her eyes, and edges her feet up to her chest.
SMASH!
DR. MIXTER'S DEAD BODY CRASH'S THROUGH THE GLASS WINDOW OVER THE DESK! Laurie lets out one, high pitched, singular scream!
Laurie grabs the phone that fell off of the desk when Mixter was thrown through it!
Laurie brings it under the desk, and starts to smash out the tiny window of glass right behind her!
CRASH!
Michael's hands comes though it!
Laurie screams, and kicks! Michael's face crash's through the upper layer! Laurie socks Michael with the phone right in the fore head!
Laurie crawls out from underneath the desk, AND BOOKS FOR THE HALLWAY!
INT. HALLWAY- NIGHT
Micheal rips his head out of the hole in the glass, and Laurie runs down the hallway, griping the wall.
Laurie roams into the dark hospital hallway. She looks like she needs a long night's rest. She has bags under her eye's at this point, and her arm injury has started bleeding again.
Laurie slowly limps down the long hallway. She uses the wall to her advantage, trying to keep herself from face planting onto the ground.
LAURIE STRODE
Dr. Mixter? Hello?
Laurie looks behind her, no one. She continues walking down the hallway.
"Time of the Season" still plays on the radio in the hospital.
Laurie stops in the middle of the hallway to rest. She looks to be in major pain. She is about to fall out of her own body.
Laurie grabs onto the wall, trying to keep herself up, but she slowly slips onto the ground.
"Laurie's Theme" by John Carpenter plays now.
Laurie crawls on the ground, heading towards the empty office across the hall. Laurie enters into the little space, a glass window surrounds the front, and a single desk sits right behind it, a chair in front.
Laurie crawls underneath the desk, and holds her casted leg in severe pain. Tears roll down Laurie's eyes, she wipes them away.
SLAM!
Laurie jumps.
LAURIE STRODE
Dr. Mixter?
Laurie crawls out from underneath the desk, and see's Dr. Mixter emerging from the stairway door.
It's Dr. Mixter.
DR. MIXTER
Laurie. I couldn't find a phone but, I think you should go back into the room, and wait for me to drive down to the police station.
LAURIE STRODE
Okay. Can you please help me? My leg hurts.
CREEK.
The door behind Dr. Mixter opens, and Michael emerges out of it, slowly. Laurie's eye bulge, and Dr. Mixter look confused.
DR. MIXTER
Laurie, what's going on?
Michael GRABS DR. MIXTER by the neck, AND SLASHES HIS THROAT WITH HIS KNIFE. Dr. Mixter falls to the ground.
Michael looks down teh hallway, Laurie is gone.
INT. OFFICE SPACE- NIGHT
Laurie is back under the desk, with her hand over her mouth. Laurie wipes away fear tears, and edges her self deeper into the corner of the desk.
Two legs appear in front of the DESK! Laurie tightly closes her eyes, and edges her feet up to her chest.
SMASH!
DR. MIXTER'S DEAD BODY CRASH'S THROUGH THE GLASS WINDOW OVER THE DESK! Laurie lets out one, high pitched, singular scream!
Laurie grabs the phone that fell off of the desk when Mixter was thrown through it!
Laurie brings it under the desk, and starts to smash out the tiny window of glass right behind her!
CRASH!
Michael's hands comes though it!
Laurie screams, and kicks! Michael's face crash's through the upper layer! Laurie socks Michael with the phone right in the fore head!
Laurie crawls out from underneath the desk, AND BOOKS FOR THE HALLWAY!
INT. HALLWAY- NIGHT
Micheal rips his head out of the hole in the glass, and Laurie runs down the hallway, griping the wall.
: I regret cutting this scene so much. I thought it was particularly scary, and really showed Michael's sadistic playfulness. If I could have thought about it and kept one thing in the movie, this would have been it. But, I wanted to trim down the overly long script so this was one thing that I sacrificed. Consider this scene back in there, as I would now.
3. EXTENDED HOSPITAL CHASE SCENE/OUTSIDE SCENE FROM TRAILER/ MICHAEL'S ESCAPE
INT. BASEMENT- NIGHT
Michael stops, and continues ripping the door off of all of the hinges now, filled with rage. Laurie rams the exit door again, and again.
The emergency exit door finally opens! The dead bodies of NURSE RACHAEL and NURSE KAYLA hanging above the door! Nurse Kayla's head has been stabbed several times, and Nurse Rachael's head is hanging half off. The door came undone because of her head FALLING OFF!
Laurie screams at the sight of the loose head falling to the ground.
EXT. HOSPITAL- NIGHT
Laurie runs to the outside of the hospital, the rain soaking her dry skin instantly.
MICHAEL IS RIGHT BEHIND HER!
Laurie runs, screaming, begging for help. Laurie runs to the end of the road, A FENCE BLOCKING HER IN THE HOSPITAL GROUNDS!
Laurie shakes the fence, and is attempting to climb it. Laurie falls to the ground in pain, and notices the tiny hole in the bottom, and Laurie pulls at it, it rips slightly.
Laurie picks up a rock off of the ground, and slams it up against the fence, She looks back.
Michael is fastly approaching!
Laurie now can fit through the hole!
MICHAEL JUST REACHES HER!
MICHAEL RIPS HER BACK INTO THE GROUNDS, AND SLAMS HIS KNIFE INTO HER SHOULDER!
Laurie screams in pain!
WEE-UH WEE-UH WEE-UH
IT'S BRACKETT!
BRACKETT SHOOTS MICHAEL!
SHERIFF BRACKETT
Drop her!
Michael drops Lauire!
BANG!
BANG!
BANG!
Michael falls to the ground, and Brackett's boys run to Laurie. They help her up off of the ground, her shoulder is practically glued to her side.
Brackett approaches, and helps Laurie get into the ambulance truck.
Brackett looks back to see Michael one last time, HE IS GONE!
SHERIFF BRACKETT
FUCK! FUCK! GET HER IN THE TRUCK! HURRY!
SHERIFF JACKSON
WHAT? WHAT?
SHERIFF JACKSON
HE'S GONE!
TITLE SEQUENCE
HALLOWEEN 2
CUT TO:
November 1st. The day after the chaos, and cluster of hell that was October 31st. Halloween 2008 has come and gone.
The outside scene is a circus. Reporters, police and hospital personal clutter around the outside of the hospital, engulfing it.
A montage of crime scene pictures of all of the brutal, and relentless murders that happened over the night.
VOICE OVERS DURING THE PICTURES
FEMALE NEWS REPORTER
Well, it had seemed just hours ago that this unthinkable horror had ended, but that is not the case her today.
MALE REPORTER
Michael Myers, the person that murdered his whole family when he was 10 years old, returned to Haddonfield last night and butchered over 20 people during his stay.
FEMALE NEWS REPORTER #2
Michael Myers killed over 20 people last night on Halloween including nurses, doctors, and teenagers from the city. But police have shot, and believed to have killed him. We are now reporting that his where abouts are unknown.
Michael stops, and continues ripping the door off of all of the hinges now, filled with rage. Laurie rams the exit door again, and again.
The emergency exit door finally opens! The dead bodies of NURSE RACHAEL and NURSE KAYLA hanging above the door! Nurse Kayla's head has been stabbed several times, and Nurse Rachael's head is hanging half off. The door came undone because of her head FALLING OFF!
Laurie screams at the sight of the loose head falling to the ground.
EXT. HOSPITAL- NIGHT
Laurie runs to the outside of the hospital, the rain soaking her dry skin instantly.
MICHAEL IS RIGHT BEHIND HER!
Laurie runs, screaming, begging for help. Laurie runs to the end of the road, A FENCE BLOCKING HER IN THE HOSPITAL GROUNDS!
Laurie shakes the fence, and is attempting to climb it. Laurie falls to the ground in pain, and notices the tiny hole in the bottom, and Laurie pulls at it, it rips slightly.
Laurie picks up a rock off of the ground, and slams it up against the fence, She looks back.
Michael is fastly approaching!
Laurie now can fit through the hole!
MICHAEL JUST REACHES HER!
MICHAEL RIPS HER BACK INTO THE GROUNDS, AND SLAMS HIS KNIFE INTO HER SHOULDER!
Laurie screams in pain!
WEE-UH WEE-UH WEE-UH
IT'S BRACKETT!
BRACKETT SHOOTS MICHAEL!
SHERIFF BRACKETT
Drop her!
Michael drops Lauire!
BANG!
BANG!
BANG!
Michael falls to the ground, and Brackett's boys run to Laurie. They help her up off of the ground, her shoulder is practically glued to her side.
Brackett approaches, and helps Laurie get into the ambulance truck.
Brackett looks back to see Michael one last time, HE IS GONE!
SHERIFF BRACKETT
FUCK! FUCK! GET HER IN THE TRUCK! HURRY!
SHERIFF JACKSON
WHAT? WHAT?
SHERIFF JACKSON
HE'S GONE!
TITLE SEQUENCE
HALLOWEEN 2
CUT TO:
November 1st. The day after the chaos, and cluster of hell that was October 31st. Halloween 2008 has come and gone.
The outside scene is a circus. Reporters, police and hospital personal clutter around the outside of the hospital, engulfing it.
A montage of crime scene pictures of all of the brutal, and relentless murders that happened over the night.
VOICE OVERS DURING THE PICTURES
FEMALE NEWS REPORTER
Well, it had seemed just hours ago that this unthinkable horror had ended, but that is not the case her today.
MALE REPORTER
Michael Myers, the person that murdered his whole family when he was 10 years old, returned to Haddonfield last night and butchered over 20 people during his stay.
FEMALE NEWS REPORTER #2
Michael Myers killed over 20 people last night on Halloween including nurses, doctors, and teenagers from the city. But police have shot, and believed to have killed him. We are now reporting that his where abouts are unknown.
: ANother should have right here. I always felt like the hospital basement scene was way to rushed in the ending, and this was originally how it panned out. I like this better, as it also leads to how Michael hid his mask and knife in the graveyard.
4. WE FOUND HIM/ HE'S DEAD
SHERIFF BRACKETT
Laurie, put your seat belt on please.
LAURIE STRODE
My arm, remember?
SHERIFF BRACKETT
(Sighs)
Sorry Laurie.
Laurie has a bitter tone in her voice and look. The events of the past couple of weeks have really FUCKED her up badly.
LAURIE STRODE
Mr. B?
SHERIFF BRACKETT
Yeah, sweetie?
LAURIE STRODE
Is he dead? I mean, do you think he's dead?
SHERIFF BRACKETT
Well, I think he is. When we found him in the graveyard, he was in pretty rough shape. Blood all over his face, and we could see his whole face. His mask and knife where nowhere to be found.
Laurie, put your seat belt on please.
LAURIE STRODE
My arm, remember?
SHERIFF BRACKETT
(Sighs)
Sorry Laurie.
Laurie has a bitter tone in her voice and look. The events of the past couple of weeks have really FUCKED her up badly.
LAURIE STRODE
Mr. B?
SHERIFF BRACKETT
Yeah, sweetie?
LAURIE STRODE
Is he dead? I mean, do you think he's dead?
SHERIFF BRACKETT
Well, I think he is. When we found him in the graveyard, he was in pretty rough shape. Blood all over his face, and we could see his whole face. His mask and knife where nowhere to be found.
: DEFINETLY SHOULD HAVE KEPT IN. Do not know WHAT I was thinking upon taking this out, as I realized I never explained how he his his mask or knife after taking it out. Now you know. Plus, I just liked this scene.
5. EXTENDED ENDING
INT. POLICE CAR- NIGHT
SMASH!
MICHAEL'S HAND CRAHSES THROUGH THE DRIVER'S SEAT WINDOW!
Laurie and Amelia freak out, screaming!
Michael rips Amelia by her collor neck shirt, and pulls her half out of the car!
AMELIA LOOMIS
MICHAEL! WHAT THE HELL?! WHAT THE FUCK, MICHEAL!
Michael grabs Amelia by the neck, and LIFTS HIS KNIFE INTO THE AIR!
AMELIA LOOMIS
RUN LAURIE! GO!
Michael SLAMS THE KNIFE DOWN INTO AMELIA'S CHEST, AGAIN, AND AGAIN, AND AGAIN! Michael rips her out of the car, and keeps stabbing and stabbing her repeatedly in the chest.
The passenger side door won't open, and Laurie starts pounding on it.
LAURIE STRODE
FUCK! FUCK!
Michael continues stabbing Amelia, all around the body now. She is definetly dead.
Laurie finally gets the door open! Laurie jumps out of the car , and begins to run.
Michael drops Amelia to the ground, and chases after Laurie.
ext. woods- night
Laurie runs into the woods. She slaps branches, and kicks leaves out of her way.
Michael is jsut getting into the woods, chasing Laurie,
Laurie runs, and runs, right into a ginat slide of mud! Laurie slides down the pathway, and lands by a giant rock.
Laurie screams as she sits in the puddle of mud, and slowly gets up.
"Last Assualt" by John Carpenter plays as Michael stands over Laurie now. Laurie edges back into a tiny mud cave behind her. Michael turns around and keep walking.
Laurie gets up quickly and runs.
Laurie spots an old tool shed! Laurie runs to the shed!
INT. SHED- NIGHT
Laurie barges into the door. It is completely dark in there.
Laurie throws herself on the ground, and crawls up into the corner of the shed.
In the widow behind her, THE SHADOW OF MICHAEL!
CRASH!
Michael smashe's though the tuny window! Laurie screams, and back away from the wall. MICHAEL STABS THROUGH THE WALL, AGAIN AND AGAIN!
Laurie looks around in panic, for a weapon. Michael enters into the shed!
Laurie falls to her backside in fear, as Michael approaches her.
LAURIE STRODE
MICHAEL! STOP!
Michael continues walking at her!
LAURIE STRODE
BROTHER! BROTHER PLEASE STOP!
Michael stops.
Laurie backs up, and then stops.
LAURIE STRODE
Michael, please. Listen, Michael I can help you. I know what is going on. I can stop the rage, Michael.
Michael edges at Laurie.
LAURIE STRODE
STOP, MICHAEL!
Michael stops again.
LAURIE STRODE
Get down on your knee, Michael, com here and get down.
Michael walks to Laurie, drops his knife, and drops to his knees.
LAURIE STRODE
Good, good. Now take off the mask, come on.
Michael sticks his hands up to his head, and takes off the mask.
A nasty bruise lines his forehead, and cuts and scrtaches all over his face. His long hair covers most of his face, but it is visable.
LAURIE STRODE
Come here Michael, come here.
Laurie GRABS HIS KNIFE AND STABS AT HIM! MICHAEL GRABS HER BY THE NCK QUICKLY AND THROTTLES HER! MICHAEL GETS UP, AND LIFTS LAURIE ABOVE HIS HEAD, INTO THE AIR!
BANG!
BANG!
BANG!
Michael drops Laurie, and through the window, he can see Sheriff Brackett!
SMASH!
MICHAEL'S HAND CRAHSES THROUGH THE DRIVER'S SEAT WINDOW!
Laurie and Amelia freak out, screaming!
Michael rips Amelia by her collor neck shirt, and pulls her half out of the car!
AMELIA LOOMIS
MICHAEL! WHAT THE HELL?! WHAT THE FUCK, MICHEAL!
Michael grabs Amelia by the neck, and LIFTS HIS KNIFE INTO THE AIR!
AMELIA LOOMIS
RUN LAURIE! GO!
Michael SLAMS THE KNIFE DOWN INTO AMELIA'S CHEST, AGAIN, AND AGAIN, AND AGAIN! Michael rips her out of the car, and keeps stabbing and stabbing her repeatedly in the chest.
The passenger side door won't open, and Laurie starts pounding on it.
LAURIE STRODE
FUCK! FUCK!
Michael continues stabbing Amelia, all around the body now. She is definetly dead.
Laurie finally gets the door open! Laurie jumps out of the car , and begins to run.
Michael drops Amelia to the ground, and chases after Laurie.
ext. woods- night
Laurie runs into the woods. She slaps branches, and kicks leaves out of her way.
Michael is jsut getting into the woods, chasing Laurie,
Laurie runs, and runs, right into a ginat slide of mud! Laurie slides down the pathway, and lands by a giant rock.
Laurie screams as she sits in the puddle of mud, and slowly gets up.
"Last Assualt" by John Carpenter plays as Michael stands over Laurie now. Laurie edges back into a tiny mud cave behind her. Michael turns around and keep walking.
Laurie gets up quickly and runs.
Laurie spots an old tool shed! Laurie runs to the shed!
INT. SHED- NIGHT
Laurie barges into the door. It is completely dark in there.
Laurie throws herself on the ground, and crawls up into the corner of the shed.
In the widow behind her, THE SHADOW OF MICHAEL!
CRASH!
Michael smashe's though the tuny window! Laurie screams, and back away from the wall. MICHAEL STABS THROUGH THE WALL, AGAIN AND AGAIN!
Laurie looks around in panic, for a weapon. Michael enters into the shed!
Laurie falls to her backside in fear, as Michael approaches her.
LAURIE STRODE
MICHAEL! STOP!
Michael continues walking at her!
LAURIE STRODE
BROTHER! BROTHER PLEASE STOP!
Michael stops.
Laurie backs up, and then stops.
LAURIE STRODE
Michael, please. Listen, Michael I can help you. I know what is going on. I can stop the rage, Michael.
Michael edges at Laurie.
LAURIE STRODE
STOP, MICHAEL!
Michael stops again.
LAURIE STRODE
Get down on your knee, Michael, com here and get down.
Michael walks to Laurie, drops his knife, and drops to his knees.
LAURIE STRODE
Good, good. Now take off the mask, come on.
Michael sticks his hands up to his head, and takes off the mask.
A nasty bruise lines his forehead, and cuts and scrtaches all over his face. His long hair covers most of his face, but it is visable.
LAURIE STRODE
Come here Michael, come here.
Laurie GRABS HIS KNIFE AND STABS AT HIM! MICHAEL GRABS HER BY THE NCK QUICKLY AND THROTTLES HER! MICHAEL GETS UP, AND LIFTS LAURIE ABOVE HIS HEAD, INTO THE AIR!
BANG!
BANG!
BANG!
Michael drops Laurie, and through the window, he can see Sheriff Brackett!
: I could take or leave this ending, really. It was way overlong, and a little too on beat. I don't know, with the stabbing through the wall and everything, it's already been seen in the movie with the bath room door, and the random weapon Laurie finds it's just not for me. And it kind of seemed like Brackett just showed up, like he shared a mind with Laurie or something. I did thing the Loomis-esque dialouge was cool though.
OTHER SCENES
I also had another hallucination from Laurie. It took place right after she got off of the phone with Brackett outside of the Brackett house at her Halloween get together. Laurie envisions that Kelli is trapped in the closet upstairs, and Michael is breakign into it, and then he rips her out and stabs her repeatedly.
Some of it was in the first trailer, but I don't know what happened to this scene. It was useless as I liked the idea that Laurie went upstairs as a dynamic, and fearless character not because she had a vision that Kelli was getting killed.
Tell me what you think, and what I should have kept in and not! Thanks
.