Post by Xplayadam on Feb 25, 2010 19:39:58 GMT -5
INT. HAVEN ASYLUM- INTERVIEW ROOM
At the table is Laurie Strode, in her late teens looking rough with dirty blonde hair and Dr. Allen Gordon, the good looking red head with a tan.
Gordon smiles his fake smile. “Lights Out” by Mindless Self Indulgence begins.
CUT TO
EXT. HADDONFIELD NEIGHBORHOOD- NIGHT
Laurie in a red robe walks down the sidewalks, only the lamp post lights can guide her. It goes alright for a few moments, but there is something rustling in the bushes.
CUT TO
INT. MEXICO WHOREHOUSE
In grainy footage, Leone (a bulk of a Mexican with thick facial chops and a thousands tattoos on large physique) bursts into a room with a sawed-off gun blasting away.
CUT TO
EXT. HADDONFIELD HIGHWAY- NIGHT
A large Semi Truck driven by someone with a bright white face flips, shooting up dust and flipping several times until it lands, wrecked in a ditch.
CUT TO
INT.STUDIO
We see Dr. Gordon in a nice suit, doing an interview with chubby “Fast Talking Eddie”.
Eddie nods his head, there’s a pause until Gordon begins to laugh really hard, in the loudest way possible.
CUT TO
INT. TRUCKSTOP BATHROOM
Michael raises his large kitchen knife and slams into a man’s chest. The bright red liquid slashes about, some on Michael, some on the wall and some on the man’s face.
CUT TO
INT. SILVERMAN HOUSE
Laurie rushes in, slamming the door behind her and locking it tightly. She falls to her knees and cries.
CUT TO
EXT. GRAVEYARD- NIGHT
Leone, in leather trench coat, tangles with Michael Myers. He throws a fist at the giant and right before it makes contact we cut-
CUT TO
EXT. HADDONFIELD DIRT ROAD- NIGHT
In a wild car chase, Leone slams his car into the back of Michael’s car, causing the killer to hit his head on the windshield hard; making a spider web.
CUT TO
EXT. FIELD- DAWN
In the middle of a crop field, the sky turns blood red as Laurie in a black jumpsuit starts to put on Michael Myers’ iconic mask with a grin on her face.
CUT TO
EXT. CINE PLEX- NIGHT
Wesley and Robbie, two film geeks in high school, begin to walk out of a theater.
CUT TO
EXT. SILVERMAN HOUSE- NIGHT
Leone exists his car, in SLOW MOTION.
CLOSE UP-
Leone’s utility belt. It’s dark brown with three loaded knife patches and three loaded gun holsters. The words “Macabre” are carved into it’s center.
CUT TO
INT. SILVERMAN HOUSE- TWIN’S ROOM
We meet the Silverman twins, Jamie and Jamiee. They undress out of dresses in front of Laurie.
CUT TO
INT. GORDON’S HOUSE
At a lovely dinner table is Gordon and Leone.
CUT TO
EXT. SILVERMAN HOUSE- DAY
Laurie and Gordon stand on the front porch. Gordon rings the doorbell, they stand as they wait. Laurie shakes her feet with excitement and smiles with a heart full of glee
Laurie stops, her energetic bubble popped.
CUT TO
INT. HAVEN ASYLUM
Laurie leaps over the table and clutches Gordon with her long-finger nails around his neck.
CUT TO
INT. STUDIO
The crowd applauses as Gordon comes out with a smile and a wave.
CUT TO
EXT. MEXICO WHOREHOUSE- DAWN
In grainy footage, Leone puts his boot on a whore’s neck and squeezes down until SPECS OF WHITE and SPECS OF RED fly onto the screen as she is decapitated.
CUT TO SERIES OF QUICK SHOTS
-Michael grabbing the lower and upper jaw of some teen, he pulls hard until the kid’s head splits in half
-Laurie using a revolver to fire at someone off screen
-Leone cringing at a fresh slice on his hand, blood runs down
-Michael carrying Laurie in his arms, like a baby
At the table is Laurie Strode, in her late teens looking rough with dirty blonde hair and Dr. Allen Gordon, the good looking red head with a tan.
Dr. Allen Gordon
You’re an idle patient, mental recovery is extraordinary. It’s almost unbelievable.
Laurie Strode
Can I be released now?
You’re an idle patient, mental recovery is extraordinary. It’s almost unbelievable.
Laurie Strode
Can I be released now?
Gordon smiles his fake smile. “Lights Out” by Mindless Self Indulgence begins.
CUT TO
EXT. HADDONFIELD NEIGHBORHOOD- NIGHT
Laurie in a red robe walks down the sidewalks, only the lamp post lights can guide her. It goes alright for a few moments, but there is something rustling in the bushes.
CUT TO
INT. MEXICO WHOREHOUSE
In grainy footage, Leone (a bulk of a Mexican with thick facial chops and a thousands tattoos on large physique) bursts into a room with a sawed-off gun blasting away.
CUT TO
EXT. HADDONFIELD HIGHWAY- NIGHT
A large Semi Truck driven by someone with a bright white face flips, shooting up dust and flipping several times until it lands, wrecked in a ditch.
CUT TO
INT.STUDIO
We see Dr. Gordon in a nice suit, doing an interview with chubby “Fast Talking Eddie”.
Fast Talking Eddie
Doesn’t it scare you Dr. Gordon? I mean, just the idea of him being out there…
Dr. Allen Gordon
Excuse me?
Fast Talking Eddie
Michael. Out there, ready to strike upon Haddonfield.
Dr. Allen Gordon
Are you possibly suggesting that Michael Myers is alive?
Doesn’t it scare you Dr. Gordon? I mean, just the idea of him being out there…
Dr. Allen Gordon
Excuse me?
Fast Talking Eddie
Michael. Out there, ready to strike upon Haddonfield.
Dr. Allen Gordon
Are you possibly suggesting that Michael Myers is alive?
Eddie nods his head, there’s a pause until Gordon begins to laugh really hard, in the loudest way possible.
THEY SAY THE THIRD TIME IS THE CHARM
CUT TO
INT. TRUCKSTOP BATHROOM
Michael raises his large kitchen knife and slams into a man’s chest. The bright red liquid slashes about, some on Michael, some on the wall and some on the man’s face.
CUT TO
INT. SILVERMAN HOUSE
Laurie rushes in, slamming the door behind her and locking it tightly. She falls to her knees and cries.
CUT TO
EXT. GRAVEYARD- NIGHT
Leone, in leather trench coat, tangles with Michael Myers. He throws a fist at the giant and right before it makes contact we cut-
CUT TO
EXT. HADDONFIELD DIRT ROAD- NIGHT
In a wild car chase, Leone slams his car into the back of Michael’s car, causing the killer to hit his head on the windshield hard; making a spider web.
HERE COMES SOMETHING… DIFFERENT
CUT TO
EXT. FIELD- DAWN
In the middle of a crop field, the sky turns blood red as Laurie in a black jumpsuit starts to put on Michael Myers’ iconic mask with a grin on her face.
CUT TO
EXT. CINE PLEX- NIGHT
Wesley and Robbie, two film geeks in high school, begin to walk out of a theater.
Wesley
I mean, Pokemon can speak their own names.
Robbie
Granted.
Wesley
Well, I must assume that Pokemon can only make one noise, which is what scientists who discovered them probably named them after.
Robbie
Then why not name Cat’s “meows”?
I mean, Pokemon can speak their own names.
Robbie
Granted.
Wesley
Well, I must assume that Pokemon can only make one noise, which is what scientists who discovered them probably named them after.
Robbie
Then why not name Cat’s “meows”?
CUT TO
EXT. SILVERMAN HOUSE- NIGHT
Leone exists his car, in SLOW MOTION.
CLOSE UP-
Leone’s utility belt. It’s dark brown with three loaded knife patches and three loaded gun holsters. The words “Macabre” are carved into it’s center.
CUT TO
INT. SILVERMAN HOUSE- TWIN’S ROOM
We meet the Silverman twins, Jamie and Jamiee. They undress out of dresses in front of Laurie.
Laurie Strode
Um, which one of you is which?
Jamie Silverman
Shit! Forgot to explain that.
Jamiee Silverman
Right, well our mother was kinda a dumb whore and gave us each the same fucking name: Jamie. But she added an extra “e” to mine. So I am “Jamie with an extra e” and she is Jamie without an extra “e”.
Jamie Silverman
Jamie with an extra “e” is pronounced differently also. It goes like “Jam*E*E”. While mine is like “Jam*E”. Got it?
Laurie Strode
Got it.
Um, which one of you is which?
Jamie Silverman
Shit! Forgot to explain that.
Jamiee Silverman
Right, well our mother was kinda a dumb whore and gave us each the same fucking name: Jamie. But she added an extra “e” to mine. So I am “Jamie with an extra e” and she is Jamie without an extra “e”.
Jamie Silverman
Jamie with an extra “e” is pronounced differently also. It goes like “Jam*E*E”. While mine is like “Jam*E”. Got it?
Laurie Strode
Got it.
CUT TO
INT. GORDON’S HOUSE
At a lovely dinner table is Gordon and Leone.
Dr. Allen Gordon
Let me ask you, which would you rather be: a big fat cat… or a serial-killer?
Let me ask you, which would you rather be: a big fat cat… or a serial-killer?
CUT TO
EXT. SILVERMAN HOUSE- DAY
Laurie and Gordon stand on the front porch. Gordon rings the doorbell, they stand as they wait. Laurie shakes her feet with excitement and smiles with a heart full of glee
Dr. Allen Gordon
Calm down.
Calm down.
Laurie stops, her energetic bubble popped.
SCOUT TAYLOR-COMPTON
CUT TO
INT. HAVEN ASYLUM
Laurie leaps over the table and clutches Gordon with her long-finger nails around his neck.
MICHAEL C. HALL
CUT TO
INT. STUDIO
The crowd applauses as Gordon comes out with a smile and a wave.
DANNY TJERO
CUT TO
EXT. MEXICO WHOREHOUSE- DAWN
In grainy footage, Leone puts his boot on a whore’s neck and squeezes down until SPECS OF WHITE and SPECS OF RED fly onto the screen as she is decapitated.
FROM THE DIRECTOR OF “THE COMIC SHOP 2”
CUT TO SERIES OF QUICK SHOTS
-Michael grabbing the lower and upper jaw of some teen, he pulls hard until the kid’s head splits in half
-Laurie using a revolver to fire at someone off screen
-Leone cringing at a fresh slice on his hand, blood runs down
-Michael carrying Laurie in his arms, like a baby
HALLOWEEN 3
March 19
Rated R for strong language, graphic sexuality/nudity, bloody violence, gore and assumption of alcohol and drugs by teens.
March 19
Rated R for strong language, graphic sexuality/nudity, bloody violence, gore and assumption of alcohol and drugs by teens.
