Frankenstein Meets the Wolfman

[SCF]

(The opening credits roll on the dark screen. The screen fades to darkness, then to a full moon in a dark and cloudy sky. The camera pans down, and we see a vast graveyard. Fog runs through the air, enshrouding the various headstones. We see two figures moving throughout the stones, with shovels in their hands. The camera zooms up, and show the two ragged men walking with seemingly no direction through the grave yard.)

Grave Robber 2: Who we looking for?

Grave Robber 1: No one ya idiot, just trying to find one of the distant stones so it takes the cops longer to find out.

Grave Robber 2: Good idea mate, let’s keep moving, this moon is giving me the creeps.

(The two continue walking through the headstones, and finally reach a distant headstone placed right near a tree. The camera cuts up to the full moon again, giving it some importance. The lead grave robber kneels down by the grave and looks at the stone.)

Grave Robber 1: Sam Miller. Rest in Peace.

Grave Robber 2: Poor Chap.

Grave Robber 1: And he’s just about to get poorer. Start digging.

(The two begin to dig into Sam’s grave, shoveling the dirt into a pile. They continue digging until the lead grave robber halts.)

Graver Robber 1: I think we got him. Here, help me get the body.

(The two wade themselves into the grave, and hoist the corpse of Sam up onto the ground. Sam is dressed in a button up shirt and black pants. The secondary grave robber shivers at the site of Sam’s body.)

Grave Robber 2: This is the guy who killed all those people right? They said he was insane.

Grave Robber 1: Yea but he’s dead now. Come on, help me lift the body.

(The two lift the body up, and begin to walk out of the graveyard with Sam’s dead body on their shoulders. The camera zooms up to Sam’s pale face. Suddenly, his eye opens. The robbers continue walking, unaware of Sam’s revival. Miller begins to transform into his werewolf form, fur sprouting all over his face, which is the only visible hair we can see. His hands grow claws, and his shoes are forced off his feet. The Wolf Man snarls, causing the robbers to drop him.)

Grave Robber 2: OH! OH GOD!

(The Wolf Man pounces on the poor man, and tears out his throat. The lead grave robber tries to run, but Sam catches up to him easily, and pounces on his back. We see the Wolf Man’s claws swipe down rapidly. Sam howls to the moon, blood dripping from his maw.)

(The screen fades to black, and the title cuts across the screen. FRANKENSTEIN MEETS THE WOLFMAN. The screen cuts to a police station. All sorts of shady looking figures walk through the detaining center. The camera moves through the hallways to a room labeled “Interrogation” The door opens, and inside we see a police officer sitting across a table from Sam Miller. Miller looks dead, very pale.)

Officer: I just want a simple answer. What do you know about the two men that were found dead last night only a mile from your unconscious body.

(Sam smiles sadistically and looks the officer straight in the eyes. Sam’s visage is chillingly evil as he goes to respond.)

Sam: You want an answer? I’ll give you one. On one condition.

Officer: What might that be?

Sam: I want release from this cruel fate. I am a werewolf. A lycanthrope! I am cursed by the sign of the beast! I killed those two men when I couldn’t control myself. I should be dead!

Officer: I don’t know what the hell you’re talking about. Where are you from?

Sam: Ellicott City, Maryland. I should be dead officer; those men revived this curse, this beast within me!

Officer: We’ll see about that. Sit tight in here Miller.

Sam: You must believe me!

(The screen fades out, and back on to the same officer in his office, on the phone. He’s chatting to someone, and his door opens. In walks a man with short blonde hair, and a trimmed moustache and goatee. He looks distinguished and proud. The one officer holds his finger up, as if to tell him to wait.)

Officer: Ok, thank you very much. Bye. Yes, Carraway?

Carraway: Who is that ragged looking man in the interrogation room?

Officer: We found him in the street. He had blood over his face, and a bullet hole in his chest.

Carraway: How is he alive?

Officer: No clue. He says he is a werewolf. What a nut.

Carraway: Who were you on the phone with?

Officer: Police Department from Ellicott City.

Carraway: They said?

Officer: Sam Miller died 1 year ago. He was shot in the chest. They say the man we have up here is an impostor.

Carraway: Mind if I speak to him?

Officer: Go ahead Mike. Get whatever out of him you can.

(Carraway leaves the room, and walks down the hall towards the Interrogation Room. Michael grabs the handle of the room, and opens the door. Sam quietly stares ahead as Michael takes a seat across from him)

Carraway: My name is Detective Michael Carraway.

Sam: Sam Miller.

Carraway: I know you’ve probably been through this many, many times now, but please, tell me what you know.

Sam: I would tell you, but just like the guy before you, you won’t believe me.

Carraway: What wouldn’t I believe? We have two dead bodies and you, now please, enlighten me sir.

Sam: I am a werewolf.

(Michael snickers as Sam grows a look on sadness and desperation on his face.)

Sam: Please, you must believe me! I kill people when there is a full moon!

Carraway: Is that your “gimmick”?

Sam: Gimmick? You think I would lie!? I am not criminally insane! I AM A MURDERER BY BAD LUCK, NOT BY CHOICE! You think I would kill innocents, no, the beast inside of me does. All I want is death, release from this curse!

Carraway: You want death? I’d have them give you the needle this fast pal, but its America. I can’t do that, yet.

Sam: Needles? You think that would work!? I must be slain by silver. End me, or there will be more victims!

Carraway: Is that a threat?

Sam: No! It is the truth!

Carraway: Come on buddy, we’re getting you into a cell.

Sam: Those iron bars won’t stop me from my bestial rampage! I should be dead! But they invoked the light of the full moon upon me!

(Carraway and 2 guards haul Sam away. We cut to Sam lying in a bunk in a cell, seemingly asleep. The bed sheet lightly covers him. All off a sudden, the full moon shines through the cell window bars, down upon Sam’s face. Miller awakens from his sleep, and looks up at the cursed moon with a gaze of terror. He begins to grab his hair as the transformation takes place. His human face slowly begins to grow fur, and becomes canine looking. He grows a small snout, and fangs replace his normal teeth. The Wolf Man looks around predatorily, and then rips his sheet off. The creature stalks around his small cell, and grabs the window bars. Sam rips them out easily, and uses his agility to climb out of the cell. Sam roams through the open field and out into the night, leaving behind nothing but a ripped out window. The screen fades to the morning, where the police station is in a frenzy. Carraway rushes down the hallway to Sam’s cell, where already a number of other officers standing there. A team is in the cell, investigating the bestial scene. Sam’s bunk is torn up, along with his sheet. There are scratch marks all over the wall. But most importantly, all 4 bars that block a window are torn out, scattered on the floor. They are all bent in different, violent ways. Carraway enters the jail cell and looks around with a mixture of shock and anger on his face)

Carraway: What the hell happened here?

Officer: We don’t know Mike.

Carraway: Where the hell is that Miller guy? This was his cell right?

Officer: Yea it was, he must’ve gotten through the window. I don’t know how he did it, the bars are pure iron.

Carraway: He was a mental case. We just need to find him, and put that son of a bitch back where he belongs.

(The screen cuts out to a forest. Sam Miller lays on the bank of a small lake. The water slowly crawls up to his prone body, soaking into his clothes. Miller begins to stir, and slowly raises up to his feet. Miller looks around cautiously, and dizzily. Sam groans, and begins to walk. He slowly begins to speed up into a run, until he reaches the edge of the forest. Sam stops on a road, and looks around. Miller starts to follow the road north, walking on its dirt path. No cars pass him as he treks to a destination unknown to him. As Sam continues walking, a truck begins to slowly travel behind him. Sam stops and looks at the truck as it comes to a stop next to him. A man begins to talk out of the window.)

Man: Sam Miller?

Sam: Who are you? How do you know my name?

Man: I want to help you.

Sam: By turning me in to the police? I’ve escaped that hell, and I am trying to rid myself of the true hell within.

Man: I know your curse, Sam. I can help you.

Sam: Who are you?

Man: I am Professor Albert Romano. I am interested in the secrets of life and death. I can help you. Get in the car, and let me explain.

(Sam walks over to the passenger side, and opens the door. Sam gets his first good look at Romano. He is in his mid 40s, with short, light brown hair. He has an aura of intelligence, and his homely face smiles easily.)

Romano: I heard about you on the news, multiple times.

Sam: Really? What’ve they been calling me? A lunatic? Mad man?

Romano: Of course, but it is the police. They can’t come out openly about you being a werewolf. They’d look like fools.

Sam: I have to ask, why are you helping me? Nobody has been this kind to me, or this understanding.

Romano: Because, like you Sam, society outcasts me. They find my….experiments too realistic for their cushioned life style.

Sam: Experiments? What exactly do you do Romano?

Romano: I can perhaps explain that later, but for now, let me take you back to my place. If we want to get you cured, and my experiment to be complete, we are going to need to get out of the States.

Sam: Why? Why can’t we do it here?

Romano: Legal complications. You see, we are known here. In Europe, we can do this quietly and safely, if that is a good word for it.

Sam: How do you plan on getting to Europe safely? Not to mention the fact that there might be a full moon when we cross the sea.

Romano: I have it all planned out. Trust me. We will be departing for Europe in one day.

Sam: One day? I just met you man. Do you really expect me to trust you that fast?

Romano: If you wish to end your curse, you must.

(The car rolls down the road as we cut to Romano’s house.)

(Sam is hurried into the house by Albert, who quickly shuts the door behind him)

Sam: Live by yourself?

Romano: Yes. I don’t think neighbors would be interested in my work, let alone a spouse.

Sam: They’re not worth it in the end. Especially after you tried to kill them.

Romano: At least you could get away with it. I am not yet hunted by the law, which I guess is a good thing. Sam, tell me your story. I’m interested in this curse, as you call it.

Sam: It’s quite simple really. I was out in the woods with my friend Mary. We heard a howl and a scream. I rushed out, and found a giant wolf. Said wolf bit me, but I killed it. I turned into a werewolf on the night of a full moon, Doctor. I killed people. Only one person believed me, but he was also using me for money. You don’t know how many deaths were related to me. I lost one of my best friends. I thought it ended one night. I stalked them through the woods. You have to realize something, Romano. You know what you do when you’ve transformed. It’s like you’re in an uncontrollable body. I saw my friends, and my first instinct was to kill, even though my mind was screaming not to. You can’t even imagine the pain, hunting some random, innocent person, and then pouncing on them, unable to defend themselves.

Romano: What happened the one night, Sam?

Sam: As I was saying. I saw my friends, and every instinct I had urged me on. I killed the one man who had tried to exploit me. Just then, I attacked. My friend was able to throw me off, but I knocked him away. I grabbed the girl I loved, and I looked into her eyes. Doc, have you ever seen a pair of eyes so frightened that they could freeze you. When I looked, I stopped. My animal instincts shut off. It was almost as my love for her stopped me. Just then, I was shot. From there, I don’t remember anything but seeing my whole world spin around, fogged. I saw her staring at me, a mixture of fear and compassion and him, confused. I never got the chance to tell her that I loved her.

(Sam stares coldly into the night sky, where a crescent moon sits, much to Sam’s relief.)

Sam: Doc, you have to help me. I can’t stand the pain of this curse any longer. I must die, permanently.

Romano: Sam, I promise that I can help you. I need a promise from you however. You must not tell a soul of my experiments, or what we are doing. We must get out of the States immediately.

Sam: When do we leave?

Romano: Tomorrow, if all goes as planned. The boat is here, but I must gather some things. One last question.

Sam: Yea?

Romano: What does the transformation feel like?

(Sam contemplates the question, and sits down on a chair.)

Sam: For a second, a second only, your body completely freezes. Your veins turn cold as ice, and you are stopped dead in your place. Then, your entire body seems to erupt, the pain unbearable. The only thing that you control, and even for a short time is the volume of the yells you let out as you writhe in agony, the beast within taking over. Hair sprouts over your entire body, and your face is distorted to a twisted mix between a man and a wolf. That’s how it feels like. Now, if you don’t mind, Doctor, I’d like to get some sleep.

Romano: Of course. Use the guest room.

(Miller walks down the hall, and enters a room. He closes the door behind him as we cut back to Romano. Albert sighs, and picks up a notebook, which looks ragged and used. Romano opens it, and takes out a pen, beginning to write.)

(The screen cuts back in the morning, to Miller’s room. Sam is just waking up, as he pulls the sheets off of his muscular body. Sam stretches his arms out, and throws a white shirt on. Miller leaves his room, and goes into Romano’s kitchen. Sam sits down in a wooden chair, and stares at his hands. Just then he notices something at the far side of the table, Romano’s journal. Miller reaches across the table, and grabs the book. Sam opens it, and slowly begins to flip through the pages. He stops at one page, and raises his eyebrow.)

Sam (reading the book): Secrets of life and death…He is at 75% health. Strong. Mutters words…..need a brain…..

(Just as Sam begins to flip through more of the pages, Romano enters the room from behind him. Miller throws the book across the table, and tries to act innocent as the doctor walks around him.)

Romano: Morning, Mr. Miller. I see you’ve found the clothes I left you.

Sam: Yea…yea I did. Thank you. I couldn’t help but notice that book.

Romano: Ah, my journal. I must’ve forgot it here before I went to bed. Oh well. No harm done, right?

(Miller nods slowly, almost suspiciously.)

Romano: Well, we best get going soon.

Miller: Aye. When do we leave?

Romano: In about an hour. I want to make sure I have everything. All of my lab equipment is secured in the ship already, so I do not think it will be that much time.

(Romano walks out of the room, after gently taking his diary off the table. Miller sits back in his chair and seems to ponder what he saw in the diary.)

(Cut to later. Romano and Sam are walking out of his house, and into Romano’s truck. Albert starts the vehicle up, and backs out of the drive way. Sirens can be heard in the background.)

Miller: Oh no, it’s the police. Albert, what the hell is going on?

Romano: No time to explain. We have to get out of here.

(Romano shifts the truck into gear, and books it down the road, and towards the docks. 3 cop cars chase him. We see them on the highway, weaving through traffic, as the 3 white and black cars chase after them like sharks on a wounded prey. The cars race down, until we fade to the docks, where Romano’s truck is seen hurdling into. They quickly skid across the lot, and hurry out. Romano grabs his gear, and both men sprint towards the boat, yelling at the crew to start. The boats engine begins spouting, and the ropes are unlatched from the decks. Romano hops into the boat as Sam leaps in, just barely making it. The cop cars pull in, but just too late. The boat is already a good 100 feet out into the bay. We scroll back to the police cars where Carraway steps out from the passenger seat. His face is distinctly pissed off as he stares into the sailing ship. Cut back to Miller and Albert.)

Romano (Gasping): And that’s why….being a doctor….is never worth it.

(Sam can only smile as we fade out)

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(The camera fades back in to where Sam and Romano sit in one of the cabins.)

Sam: Exactly where are we going in Europe?

Romano: Germany. A small town in Northern Germany..

Sam: We’re staying in the town?

Romano: No, I’ve got an abandoned castle on the outskirts of the town. It should work well, the locals believe it to be haunted.

Sam: A castle, eh? Don’t you mad scientists always have some sort of castle? Let me guess, lab equipment in the center of it.

Romano: You watch too many movies.

Sam: That may be so. But I never expected to be a werewolf, now did I?

(Romano simply nods his head. The moon isn’t full, so Sam is on a reprieve.)

Romano: How are we going to kill you?

Sam: You have the creative license. Whatever works. I don’t mean to sound like an interrogator, but what exactly was it that you were or are experimenting on?

Romano (sighing): I told you a while back that I was interested in life and death. That is exactly what I experiment with.

Sam: You murder people?

Romano: Ah, but it is exactly the opposite. You see, I take death…and turn it into life.

Sam: You revive the dead?

Romano: Not quite. You see, it has been my ambition to create the…super-human, shall we say. And that is exactly what I have been working on.

Sam: I’m still confused by all this. You’re trying to create a human being, by bringing it back to life.

Romano: Exactly!

Sam: But what are you bringing back to life? Surely it’s impossible…

Romano: I’ve done some illegal work Sam. Some call it sacrilegious; others simply call it a “few years in prison”. As much as I hate to tell you, to create this being, I’ve had to rob graves.

Sam: Wait…

(Romano’s face begins twitching back and forth, and looks out at the sea.)

Romano: Ah!

(Albert points over to the north)

Romano: There is Vasaria. That’s where we will be staying.

Sam: Vasaria…

(The screen fades out to the boat slowly being tied up to a dock, and the two men exiting. Romano has a car waiting for them as they get in, and the engine starts. The camera shows the two men inside the car.)

Sam: How far away is your place, Romano?

Romano: A little over 5 minutes drive. You can see it from the village. As I said before, the villagers think it haunted, so nobody goes near it.

Sam: In this day and age?

Romano: The people here are very superstitious and religious. I know it’s ironic to pick this place, but we will be safe here.

Sam: Let’s hope the people will be too. The full moon should be up within the week.

Romano: Aye.

(The camera fades to the castle as the car pulls up. Romano and Sam grab their stuff as the driver pulls away, and drives back towards town. Romano and Sam walk up to the castle, and through the open portcullis. Romano points to a chain hanging down.)

Romano: Pull this, and the portcullis will close instantly. I installed it.

Sam: Afraid of the villagers?

Romano(chuckling): Or you.

(The camera fades away to the police department, where Carraway stands. His face is visibly distraught.)

Chief: Mike, you let them go!

Carraway: Chief, they got there too fast, there was nothing we could do!

Chief: That’s not the point. You know we’ve been on that sick bastard Romano for years, and you blew our best chance. Besides that, you let that Miller character escape from his cell!

Carraway: I had nothing to do with that! He physically tore his bars out, which is impossible!

Chief: Apparently not. Michael, you’ve been going downhill lately, and fast. You have drinking problems, you’re prone to violent fits. I think it’s best if you lef…

Carraway: Don’t kick me from the force. This is the last thing I have.

Chief: The good of the people is what’s important, Mike. I’ll give you one chance. I want you to hunt down Romano and Miller. I want you to arrest them, and bring them back to the States. You have 3 weeks. Intelligence tells us Romano has fled to Europe. Germany to be precise. We raided the house, and found notes talking about a small town named Vasaria. You must go there, find them, and bring them back. Understand?

(Carraway looks annoyed, but determined.)

Carraway: Yes, sir.

(As Michael begins to leave, he looks back at the Chief, who talks.)

Chief: God speed, Michael Carraway.

(Carraway exits the door. We fade to an airport where Michael is in line for a flight. He shows his badge to the ticket checker, who lets him on first. We pan out to the sky, where the airplane takes off, and soars. The camera cuts to the small town of Vasaria. It is a small rural town, the buildings very old style. Villagers wander through the streets, smiling. A distinguished looking man stands on the doorstep to his house. His name is Jonathan Howard, the mayor of the town.)

Villager: G’day, Mayor.

Mayor Howard: Ah, guten tag, Herman!

(A girl walks out of the house behind Howard. She is very pretty, with brown hair. She smiles brightly at her father. Her name is Rachel Howard.)

Mayor Howard: My beautiful daughter. Give father a kiss.

(Rachel kisses him on the cheek.)

Rachel: How are you daddy?

Mayor Howard: Great, now that I have seen my daughter! What are you doing today, Rachel?

Rachel: I need to run some errands.

Mayor Howard: Could you find Carl, I wish to speak to him.

Rachel: Of course.

(Rachel runs off into the small town, looking for her brother. The camera fades to a young man who sits by the edge of the forest. He sits on a tree stump, and simply stares into the forest. His name is Carl Howard.)

Rachel(Background): Carl! Carl!

(Carl turns around, and looks at his younger sister, a slight smile growing on his face.)

Carl: What is it Rachel?

Rachel: Father sent me to find you.

(Carl’s face turns from happy to frustrated. Rachel notices this.)

Rachel: What is it?

Carl: He’s going to ask me to join the army.

Rachel: But you can’t! Carl, you can’t leave here!

Carl: I will try my best. I wish to stay here and keep to my studies, but he puts them down without even looking at it twice. All I wish to do is find him, Rachel. Nobody has, all of those ghost stories and professionals are nothing more then hacks.

Rachel: He’s not real, Carl!

Carl: How would you know, Rachel? Nothing out there has been discovered. I am going to find him.

Rachel: Next thing you’ll be saying is that werewolves are real. Come on Carl, let’s go back to father.

(Carl reluctantly leaves his area. We fade back to Sam. Miller sits on the parapets of the castle. He stares out into the now night sky, out into the stars. Luckily for him, it isn’t a full moon until tomorrow. As Sam stares, a small tear rolls down his cheek, until he begins to sob. He holds his head in his hands, shielding his face from the world. Miller stands up straight, and with a shout, kicks a bucket off the top of the castle. Sam falls down, and leans back against the wall, still sobbing. We cut down to Romano, who is in his lab. Albert is setting up some equipment, turning on buttons, plugging in wires. It looks professional, as the camera scrolls around the room, until it hits the center, where a table sits. On this table is a large being, about 7 feet in height. Its skin is a rotten greenish hue, it’s hair pitch black. Its entire complexion is dead. Two bolts stick in the side of its neck. Romano turns around, and looks at his monster, before smiling devilishly at the camera. The camera fades to the beautiful German country side in the morning. The sun has just risen in the blue sky, and it glares over the perfectly green pastures and fields that surround the port town of Vasaria. The camera then slowly pans around to the castle, which is seen as a blot in the beautiful sunrise. We zoom in, to where Miller sits awake in his room. A knock at the door is heard.)

Sam: Yes?

(Romano opens the door, and nods in a greeting manner at Sam.)

Romano: How was your night?

Sam: Could’ve been better. I’m dreading the moon rise tonight.

Romano: I understand. If you don’t mind, I’d have you run an errand for me.

Sam: To do?

Romano: Check out the village. I need to hear what people are saying.

Sam: Will we be able to operate tonight?

Romano: I’m afraid not Sam. I haven’t set up all my equipment.

Sam: You must hurry. Remember, I did not come here to help you experiment. I came here to die.

Romano: And so you shall, but with time.

Sam: I HAVE no time!

(Romano looks around, the situation tense and awkward.)

Romano: I will do my best. But please, go to the village.

Sam: I will.

Romano: I appreciate it. Remember, come back before night, I might be able to keep you locked in.

Sam: They already tried.

(Sam walks away, as we fade to Vasaria. Rachel is seen walking in the town square as Sam comes walking in. Rachel sees the newcomer, and catches him with a glare in her eyes. Miller lumbers over, seemingly scouting the town out as Rachel calls to him.)

Rachel: Are you new to Vasaria?

Sam(looking over): Yes actually. I’m visiting from the States.

Rachel: Oh, we got a fancy American boy here. What brings you to Vasaria?

Sam(improvising): Just visiting. Looking for a place to stay.

Rachel: I don’t see any bags. Are you a wanderer?

Sam: I guess you could call me that.

Rachel: Well there’s a nice tavern over there. You can’t miss it.

Sam: Thanks. What’s your name again, I didn’t catch it.

Rachel: Rachel Howard. My father is the mayor of the town, and my brother, Carl…

Carl: Is right over here!

(Carl walks over, waving to his sister.)

Rachel: Oh, Carl this is…

Sam: Sam Miller.

(Carl and Sam shake hands. As Miller grasps Carl’s, Carl gets a strange look on his face. Sam notices this, and slowly recoils his hand.)

Sam: Pleasure to meet you.

(Sam walks off to the tavern, leaving Carl and Rachel behind.)

Rachel: Why were you so rude?

Carl: I’m sorry, but there was something strange about this man. He seemed, animal-like.

Rachel: What are you saying?

Carl: I think he’s a werewolf.

Rachel: Oh, nonsense.

(Just then, a deep, gravely voice is heard in the background.)

Voice: Hey!

(Carl and Rachel turn around, to see Michael Carraway standing behind them.)

Carraway: Vasaria?

Carl: Did you read the sign?

Carraway: Funny joke there Chewbacca. United States Police.

(Carraway flashes his badge to the siblings.)

Carraway: I’m looking for a man named Sam Miller. He is a mentally disturbed patient, and was involved in the murders of two men. Have you seen him?

Rachel: Uh…a description would help. Vasaria is a small town, and I know most of the people by name, but this one isn’t one I know.

Carraway: Tall. Brown hair, scraggy looking. Blue eyes, and a cold glare. Even though I am not one to judge, quite handsome.

Carl: I’m sorry. I can’t help you. If you need a place to start, the tavern is usually crowded. Look in there.

(Carraway looks to both of the siblings, and mutters to himself, before walking off towards the tavern.)

Rachel: I guess he is a werewolf too?

Carl: No, just an asshole.

(We fade to the tavern, where Sam is seen ordering a beer. He looks around, listening to the various villagers around him.)

Villager: ….castle lighten up.

Villager: It’s the ghosts I tell ye!

Sam: Ghosts?

Bartender: You do not know about the castle?

Sam: No…

Bartender: It is a haunted place. Spirits wander through it, cursing those who go near it, and so, we never do. Last night, the people say lights were flashing out of the castle’s openings. They say the spirits are coming for vengeance.

Villager: Damn us all, if you’ll have me.

(The door opens, and Carraway walks in. Sam nearly spits out his beer, and shelters his face from the officer.)

Carraway: Sam Miller, do you know him?

Bartender: I do not sir. If I did, I would help you. Please, sit down. Can I offer you a drink?

Carraway: I need a place to stay.

Bartender: We have rooms available upstairs.

Carraway: I’ll take one.

(Michael goes over, and Sam quickly scurries out of the bar, leaving some money on the table. Miller jogs out of the village, before bumping into Jonathan Howard.)

Sam: Excuse me.

Mayor Howard: Ah! You must be the one my daughter was telling me about. The foreigner.

Sam: Yea. Now, if you’d excuse me, I must be going.

Mayor Howard: I regret our meeting has been so short. But I will warn you, the roads have become dangerous at night. Do not travel by yourself during these times.

(Sam nods out of the conversation, and begins jogging out of town. As he isn’t paying attention, Sam once again bumps into another Howard, this time, Carl.)

Carl: Watch where you’re going, man.

[SCF]

Sam: I’m sorry.

(Sam tries to walk away, but Carl grabs his arm, and prevents him.)

illerCarl: I know your secret. I know your curse, werewolf. Stay away from my village.

Sam: I’ll do my best, captain.

Carl: Typical American scum. You are no better then us.

Sam: Who said I was?

Carl: My sister seems to fancy you.

Sam: I’d not have her.

(Carl throws a punch, which knocks Sam to the floor. Sam looks up in shock, but Howard is on him, driving fists into his face. Miller throws him off, and tackles him to the ground. Both men throw punches, as the towns people come to break it up. Carl breaks loose, and jumps at Sam. Miller reacts quick enough, and throws Carl over his head. Carraway steps out from the bar, and smirks. He charges at Sam, and tackles him down with force, before slapping handcuffs on him.)

Carraway: Sam Miller, you’re under arrest for the murder of two men in the first degree. You have the right to remain sil….

(Jonathan throws Michael off of Sam.)

Jonathan: What is this nonsense that disrupts the peaceful environment?

Carraway: This man is a fugitive, and a murderer.

Jonathan: And who are you?

Rachel(background): US Police, father. He’s been tracking Sam.

(Jonathan looks at Sam with a disappointed face.)

Jonathan: We have no prison. You must secure him in your room. He is not our responsibility.

(Michael nods at Rachel, who gives a bashful smile at him. Carraway picks Sam up, and drags him off to the tavern. We cut away to the castle. Romano is seen by the dungeon, opening the doors of a cell.)

Romano: This should do.

(Albert walks up the steps, and up to the ramparts of the castle. He stares out towards the town, and notices the sun is setting.)

Romano: It’s getting late, where the bloody hell could Miller be?

(Albert is seen taking a pistol out of his pocket, and checking its barrel. From his pocket, Albert takes a handful of silver bullets, and looks at them for a few moments, before placing them back in.)

Romano: I only wish to help you, Sam.

(We fade from Romano to Sam, who sits bound to a chair in Carraway’s room. The handcuffs are off for some reason. Michael paces around.)

Miller: They bound me before. And I broke out. And guess what happened then? I killed the person who was in the house…. AND THEN I killed the man who bound me. People have no luck with trying to prevent me from going anywhere.

Carraway: It’s nothing personal, Sam. If I don’t bring you back to the States, I lose my job.

Miller: And you probably will lose your life if you don’t just let me go. Even then, you’re not safe.

Carraway: And why is that, Lon Chaney Junior?

Miller(smirking): Full moon tonight.

Carraway: Oh, and that’s when you transform into a wolf man, now isn’t it?

Miller: Somebody is using their brain.

Carraway: Do you know how ridiculous that is?

Miller: I’d love to think of it like that, but it is so very true.

Carraway: Do you think that Rachel chick fancies me?

Miller: I’d guess so.

Carraway: She seems all “I’m a foreigner and I love American boys” like.

Miller: You know why Carl hit me?

Carraway: Is that Chewbacca? Blonde haired dude.

Miller: You’ve met him?

Carraway: Yea, was standing with Gisele over in the center of town.

Miller: You use a lot of nicknames.

Carraway: I have a bad memory.

(The camera shows Sam’s hands, which have untied the bonds.)

Miller: Then I guess you won’t remember this.

(Sam bolts out of the chair, and knocks the hell out of Carraway. Michael falls to the floor like a sack of potatoes)

Miller: It’s nothing personal, Mike.

(Sam takes Michael’s room key, and locks the door from the outside. Miller stuffs it in his pocket, and heads out of the tavern, only to look up into the night sky. The full moon is slowly rising.)

Miller: No…

(Sam begins running up the path, and out of town. Carl is seen in the shadows, looking on. Miller races through the forest, about 3 minutes out of town. Suddenly, he cries out in pain, and grasps his shoulder. With a few more grunts, Sam stumbles into the forest. After a few yards, Miller collapses onto the ground, by a log. The fog is seen floating over his body, which begins to transform. His face begins to grow fur, his mouth now full of sharp teeth, and a canine nose takes the place of his human one. His hands are covered, with sharp claws sprouting out where his fingernails used to be. The Wolf Man gets up, and standing on the balls of his feet, crouched over, begins his hunt.)

(We cut back to the castle where Romano is seen loading his gun. He looks up at the moon, and with a hiss of dissatisfaction, sets out towards the forest. We cut back to the town, where a young girl begins to skip into the woods, singing a song.)

Girl: La la la la la la!

(The girl continues her way through, unafraid, and unawares of the monster that now stalks her. The Wolf Man slowly follows her, ready for the opportune time to strike. The girl steps out onto the path, and looks towards the castle, pausing for a moment. Without hesitation, the Wolf Man comes from behind, and takes the girl by the shoulders, biting down into her neck. He sees a fire in the distance, and heads back into the woods, leaving his victim for all to see. Cut to the village.)

Carl: He’s out there.

Villager(Shouting): HELP! HELP!

(Several other villagers run over, along with Carl and Rachel, who was out for a stroll.)

Rachel: What is it?

(The villager shows them the dead body of the girl, to the gruesome shock of them all, save Carl.)

Villager: What happened?

Rachel: She’s bleeding from her neck.

Carl: Aye, her jugular is cut.

Villager: Looks like a wild animal.

Villager: It could be the spirits!

Rachel: But the spirits don’t leave the castle! It looks like a wild animal.

(Carl smirks somewhat.)

Villager: What wild creatures are there that could do this?

(The Wolf Man’s howl is heard in the background, echoing throughout the entire area. The villagers freeze, some of them shiver. Only Carl remains vigilant.)

Villager: A wolf!

Villager: Let’s kill him!

(The villagers head back to their homes to get supplies.)

Carl: Told you.

Rachel: This doesn’t prove anything. We should get Michael, the police officer.

Carl: He would not believe in my interests.

Rachel: Neither do I, but we have a problem out there!

(The villagers return, all wielding rifles and lanterns.)

Carl: Are you men ready?

Villagers: Aye!

Carl: Let’s go. Rachel, I would warn against coming.

Rachel: This is my village.

(Suddenly, Jonathan Howard runs out.)

Mayor: What is all this commotion?

Rachel: Daddy, a girl was found killed in the woods. The men are going out to hunt the animal.

Mayor: Animal you say? Carl, what do you know?

Carl: It was a wolf. We’re going to kill it.

Jonathan(sighing): I will come. I will not have my village in a panic.

Carl: Let’s go.

(All three Howards follow the mob into the woods. Cut to The Wolf Man, who continues stalking through the foggy forest. The voices of the mob are heard, and we see the Wolf Man’s face, which snarls in anticipation. Cut to Romano, who is racing through the forest with a lantern and pistol. Cut back to Jonathan Howard, who is with is daughter.)

Jonathan: What happened to the peaceful times, Rachel? Everything is in such a panic.

Rachel: I don’t know, daddy. I hope Carl is wrong.

Jonathan: Wrong, about what?

Rachel: His horror stories! Werewolves, vampries, monsters, and everything!

Jonathan: Do not tell me his stories frighten you, my child. You are young, but you are so grown up.

Rachel: It is not his stories, but himself. He is so intent.

(A creeking noise is heard in the bushes ahead. Jonathan begins to shield his daughter. Romano breaks through, and stares at Howard.)

Jonathan: You! You were banned from our country!

Romano: Ah, Jonathan, so nice to see you. Oh, and….Rachel, is it? Where is your brother, the only smart one of your family.

Rachel: He is out in the woods, hunting for the wolf.

Jonathan: Do not talk to this man! He is the anti-christ!

Romano: I simply do not believe in your tales of God.

Jonathan: Yet you would create a monster! You desecrated graves, took the dead from their homes!

Romano: Is that such a crime for science? Jonathan, I live to prove my theories. Not to tell stories.

Jonathan: I should have you hung for your sacrilege! It is you who occupies the castle! You have brought the monster back!

Romano: I’m afraid, my dear friend, that I cannot have you here to ruin my plans. I sincerely apologize.

(Albert takes the pistol, and fires two shots into Jonathan’s chest, killing him instantly.)

Rachel: DADDY!

(Rachel crouches over her dead father, and begins weeping. Romano hurries over, and grabs her, before heading back to the castle. Cut to the mob.)

Villagers: THERE HE IS! SHOOT HIM!

(The take shots at the Wolf Man, but either miss or have no effect. Sam slinks away from the crowd, snarling as he goes. Carl runs through the woods, looking for his quarry. From the corner of his eye, he sees the Wolf Man stalking him. Sam jumps forward, but Carl moves out of the way, and tackles Sam to the ground. Howard tries fighting, but The Wolf Man over powers him. Carl tries forcing his opponent away, but Sam quickly moves, and bites him on the left shoulder.)

Carl: ARGH!!!!!!

(Just as he is going to go in for the kill, a shot hits Sam directly in the back, and he quickly scrambles away. The crowd stops at Carl, who lays there, bleeding profusely.)

Villager: Are you okay Carl?

(Carl slowly gets up, and begins to walk towards the village, the men following him. Miller is seen stumbling through the woods, but soon he is out of them. Sam looks up, and sees a cathedral, standing gloriously. Miller falls on his face, and begins to revert back to human form. Sam comes to his sense, and begins to lumber towards the church, whose doors are open. There is no preacher, but candles are lit. He is in the confession booth. Sam stumbles over to the open one.)

Priest: How can I help you, my child?

Sam: Father, I have killed.

Priest: That is a deep crime, son. Was it intentional? The Lord still smiles upon you.

Sam: No, no it wasn’t. They weren’t.

Priest: How is this so?

Sam: Do you believe in werewolves?

Priest: I’m afraid I do not. Child, it seems you are mentally ill. I would suggest turning yourself in, and gaining the forgiveness of the Lord.

(The full moon is still shining brightly outside. We see Sam in his booth. He begins to choke, and struggle.)

Priest: What is wrong, my child?

(Sam begins to transform again. Within seconds, he is back to his wolfish state.)

Priest: My child?

(There is a few seconds pause. The priest strains to see, but soon, the wooden wall is torn apart, and in bursts the Wolf Man! The priest screams, but vainly, as Sam bites down into his neck, killing him. The priest slumps against the wall, blood staining his white robes. The Wolf Man breaks through the booth, and creeps out of the church. The screen fades out to the castle, in the morning. Rachel is seen laying on Romano’s bed, while the professor sits in a chair across the room, reading from a book. Rachel wakes, and is startled to see her new environment)

Romano: Ah, you’re awake.

Rachel: Where am I?

Romano: The same place you said was cursed.

Rachel: The castle?

Romano: Yes.

Rachel: Why am I here? What do you need of me?
Romano: I need your mouth closed, so I have taken you as my prisoner.

Rachel: You knew my father?

Romano: Yes. We knew each other for a while. Colleagues, actually. He was more of a physician. I was a scientist. I see he dropped his path for his role as Mayor.

Rachel: You were banned?

Romano: Apparently my crimes were too much for Germany, so I was banished. But yet, here I am.

(Suddenly the door slams open, and in walks Sam. Miller is ragged as all hell, and blood soaks his shirt.)

Romano: Good lord.

Rachel: Sam?

Sam: Rachel…Romano, what have you done?

Romano: What have I done? Miller, you killed a girl last night.

Sam: I also bit her brother.

Rachel: Carl!?

Romano: You didn’t kill him?

Sam: No. Oh, and I killed a priest. In the church. In the confessional booth.

Romano: How delightful. Listen, Sam. I think I can have the machines up and running tonight if you help me.

Rachel: With what? The monster?

Sam: Monster? Romano, what the hell is going on.

(Romano sighs deeply.)

Sam: What the hell do you have me here for?

Romano: I am planning on using your life force to power my creation.

Rachel: Your abomination!

[SCF]

Romano: Call it what you want, but it is a miracle of science. This is your only way, Sam. You have no choice.

Sam: Whose calling the shots now? Has this been your plan all along, to have me be the force behind your creature?

Romano:….yes. There is no more time for niceties. I have no intention of helping you. All I need you for is to power it.

Sam: What stops me from leaving?

Romano: Yourself. You can’t stand the killing. The beast does it. I am not a nice person, Sam. I do what needs to get done. Now, you are going to help me if you want to finally rid yourself of this curse.

(Sam looks defeated, and looks at Rachel.)

Romano: As for you, girl. I do not wish to kill you, but I can’t trust you. You’re going to the dungeon. Sam, take here there. Here are the keys.

(Sam looks on with a grim look on his face as Albert hands him the keys.)

Romano: I trust you’ll make the right decision.

(Sam grabs Rachel, and leads her off to the dungeon. We cut back to Carraway, who sits in his room, locked in.)

Carraway: Son of a bitch.

(Michael kicks the door open, and heads down to the tavern. It is empty except for the bartender, who hurriedly washes cups.)

Carraway: Where the hell is everyone?

Bartender: In their homes. Did you not hear? There was 3 murders last night. A girl and our reverend were killed by some wild animal, and our mayor…

Carraway: Miller.

Bartender: He was shot, dead, sir. His daughter was taken.

(Carraway leaves the tavern, and sees Carl in the middle of town. Carl stares down into the ground, his left shoulder wrapped up and stained from blood.)

Carraway: What happened last night, chief?

Carl: The werewolf. Sam. He killed a girl and a priest. My father was shot dead, but not by him. By a man who was outlawed from the country.

Carraway: You believe in this werewolf nonsense?

Carl: Yes. They do not, and apparently, neither do you.

Carraway: Where’s your sister?

(Carl looks away. We can see a tear slowly slide down his face.)

Carl: He took her.

Carraway: Who?

Carl: Romano! Albert Romano!

Carraway: Romano…that name sounds familiar.

Carl: He is a bastard. His crimes need to be repaid in blood.

Carraway: I’ll go. You’re injured. They’re in the castle, right?

Carl: That is correct.

(Michael goes off, but Carl grabs his arm.)

Carl: Go with my blessings. Save my sister. God speed.

(Carraway nods, and runs off.)

(Fade back to the castle where Romano and Sam work diligently to set up the lab. Most of the pieces are in place, but they tinker around with some things. Sam stops, and looks at the creation.)

Miller: It is a strange thing…

Romano: What?

Miller: He seeks life, and I seek death. You will give us both. What is your purpose, Romano?

Romano: I must gain vengeance. I was merely practicing my science, and they took it all away from me!

Miller: And here we stand.

Romano: You will not mock me! For too long have I been laughed at, outcasted, and shunned. Not any more! I will have redemption!

Sam: You’re insane!

Romano: Most geniuses are insane, it depends on how you classify them.

Sam: This isn’t brilliant in anyway! I seek death to escape from killing, yet you seek life to kill!

(Romano walks towards the door, ignoring Sam. Just then, Michael bursts through the door, knocking Albert to his feet.)

Carraway: I have you Sam. No more nice guy chats. No more laughing. You’re going back to jail.

Sam: Only to escape again.

Carraway: I’m done with waiting!

(Michael heads towards Sam, but Albert grabs a stone, and knocks him over the head with it. Carraway collapses.)

Romano: He will provide the brain.

Sam: I can't believe this. Was I ever important to you?

Romano: For a time, yes. You were ignorant. You trusted me, therefore, I could trust you. Now, you have proven to be a complete mistake. I used you, Sam. I robbed your grave.

(Sam exits the room. Cut to Rachel in her cell. It is getting dark, the moon is rising. Suddenly, her door opens. Sam walks in.)

Sam: Let’s go. He’s got Michael, and is going to operate. That will distract him long enough, you have to leave!

Rachel: We must help him!

Sam: I will do what I can.

Rachel: I love him!

Sam: I’m sorry for your losses Rachel. But you must remember that you are what’s most important. Please, go!

Rachel: I don’t believe Carl. You’re a good man, Sam. I know you will do what is right.

(Rachel hugs Sam, who then backs off as he sees her hand. The pentagram.)

Sam: Your hand!

Rachel: I don’t see anything!

Sam: It’s no use, go quickly!

Rachel: Yes, I’m going!

(Rachel runs off as Sam looks through the window, and sees the moon. Miller walks into the cell, and shuts the door.)

(The camera cuts back to the laboratory, where Romano stands next to Carraway’s operating table. Romano walks over to his central control panel, and begins plugging in different numbers, and codes. Suddenly, lights begin to flash, as a buzzer begins going off. The monster is seen laying down peacefully on his table, but there is no sign of emotion on his face. Wires and various medical equipment are plugged into the two patients, preparing them for the transplant. Romano walks over to the monster, and checks on him, making sure everything is in place. He then walks over to Michael, and does the same check up. His eyes glimmering, Albert walks back over to his control panel, and pulls a lever down, as electricity begins to spark out of a small rod at the top of the machine. Romano walks back over to Carraway.)

Romano: I am truly sorry, my good man. But my science comes first. Thank you for being so….understanding.

(Romano walks over to his monster, and places his hands on it’s head.)

Romano: You will soon be able to think like a true human being, my creation. Soon, just have patience.

(Albert pulls his tray out, and slides it over to Carraway’s table. Romano pulls out a scalpel, and is getting ready when a loud shout is heard.)

Rachel: NO!

(Romano quickly turns his attention away from Michael, and looks over at the intruding Rachel. His smile has now turned to a despicable frown.)

Romano: What are you doing here, girl? I thought I had you locked up?

Rachel: I escaped. Romano, you can’t do this! Please!

Romano: Miller! That traitor. I told him he would be soon. I guess these two can wait just a little longer while I finally finish you.

(Albert pulls the plugs from the monster. After a few brief seconds, it’s eyes open slowly. The monster breaks through the straps of it’s table, and begins to lumber forwards towards a horrified Rachel, who slowly backs away.)

Romano: I ask you now girl, what is stronger, faith, or science?!

Rachel: Faith.

Romano: Ah, another one of these “believers”. I tell you now Ms. Howard, faith is no longer something you can depend on. In this very room, there is no God that will save you. Nobody can save you!

(Rachel begins backing away from the monster and Romano, and stands underneath the stained glass windows. She begins looking up, tears running down her cheeks.)

Romano: You can’t pray here girl. As far as I’m concerned, you’re in hell, and I am Satan!

(The monster begins closing in on the terrified Rachel, when all of a sudden CRASH! The stained glass window shatters, and the Wolf Man comes flying through, landing directly on the Monster. Romano looks horrified, as Rachel looks on with a mixture of confusion and fear. The Wolf Man and the Monster are brawling on the floor, with Miller’s wolfish claws tearing flesh from it’s body.)

Romano: NO! MY CREATION!

(Rachel runs over to Michael, and immediately begins unstrapping him. She takes out the plugs, and begins pushing him, trying to wake him.)

Rachel: Michael get up! Get up! Please!

(Romano sees this, and angrily begins striding over there, a look that could kill on his face.)

Romano: You bitch!

(Albert grabs her, and throws her on the floor. Albert slaps her hard. Michael begins to stir.)

Romano: I will not have you ruin my plans!

(Albert grabs the fallen scalpel, and goes to stab her, but Carraway tackles him to the floor, just in time to save Rachel.)

Michael: It’s my turn to experiment on you Romano.

(Carraway begins punching away at Albert, his fists driving home into Romano’s face.)

Michael: Rachel, get out of here!

(This distraction gives Albert time to punch Carraway in the face, knocking him off. Romano looks at the fight between the two creatures. Sam is ducking around the monster, and slashing at him every turn. Miller leaps up onto it’s back, and tries to bite into the monster’s throat, but it grabs The Wolf Man, and throws him into lab equipment. Sam snarls in pain, and immediately hops out of the lab equipment, and back onto his opponent with a growl. Rachel and Michael look over to the two monsters, as Michael pushes Rachel out of the way, and tackles Albert. Michaels continues to beat upon the doctor, who is virtually helpless, except for his scalpel. Michael goes for another punch, but Romano stabs the scalpel into his forearm, drawing blood. Albert takes the opportunity to stumble up to his feet, and begins jogging towards his gun. Rachel runs up and checks on Michael.)

Rachel: Michael! Are you okay? Where’d he stab you?

Michael: Don’t worry about. We have to get out of here!

(Michael gets back up to his feet, and begins running with Rachel, when a yell stops them.)

Romano: One more step, and you both are dead.

(Albert has the gun raised up to the pair, cocked and ready to kill.)

Romano: As much as I would love to leave and lock both of you in here with these two creatures, time is not on my side. So Mister Carraway and Missus Howard, I bid thee goodbye.

(Just as Romano is about to shoot, The dueling monsters knock into him, driving the gun out of his hand. The Wolf Man leaps onto the Monster, and continues the fighting, seemingly oblivious to the others around him. Michael and Rachel begin to run, but Albert grabs the gun and begins firing wildly, but hits his control panel instead, which explodes in a fiery blaze, stopping the two.)

Michael: Holy shit! Get back!

(Michael grabs Rachel, and they fall down the small steps, out of harm’s way. Carraway quickly springs up, and charges Romano, who is reloading the pistol. Carraway tackles him down, sending the gun sliding across the floor about 10 feet away. Rachel runs over to the gun, as Michael and Romano fight near the blaze. Albert gets a shot in, and knocks Carraway down, and pulls his scalpel out.)

Romano: Now science takes it course Carraway. I finally get to slice you open!

(Just as he is about to stab, three shots fire out from the gun, all 3 hitting him squarely in the chest. Albert’s face changes from anger to a tragic confusion, and he looks down at his chest, his face turning ghastly pale. Blood seeps out of the 3 bullet holes.)

Romano: Is it all…..over?

(Albert falls backwards, and into the flames of his own personal hell, and is incinerated by them.)

Rachel: Mi…Michael!

(Michael gets back to his feet, and looks over at the two fighting monsters. The fire has now caught across the other equipment, transforming the laboratory into what Romano described it as Hell.)

Rachel: What about these two?

Michael: Let them kill themselves! Now hurry, let’s go!

(Michael and Rachel begin running out of the room when a victorious howl rings out through the room. They turn around to see the Wolf Man crouching over the Monster, blood seeping out of a wound in it’s neck. The Wolf Man looks towards them, it’s expression now back to that of the hunt. It begins to move off of the creature, and towards them.)

Michael: No time! Let’s go! Now!

(They begin running towards the large gothic doors, and shut them behind them as The Wolf Man nearly crashes through it. Michael and Rachel sprint down the hallway, as the crashing of Sam is heard behind them. Just then there is another loud crash, as Miller has broken through the doors, and is sprinting after them! Rachel’s visage is that of pure terror as she looks behind her. The Wolf Man’s eyes are directly on her. The portcullis is right ahead. Rachel looks at Michael, and pushes him through the portcullis, then pulls the chain, slamming it shut!)

Michael: RACHEL!

Rachel: I’ve made my decision! Run!

Michael: Not without you!

Rachel: I love you Michael.

(The Wolf Man pounces from behind, and throws her onto the floor, the camera switches to Michael’s face, that of horror and anguish as the howl from the Wolf Man is heard.)

Wolf Man: AWOOOOOOOOOOOOO!

Michael: NO! YOU SON OF A BITCH!

(The Wolf Man stares at this other person, not sure what to do. Simply it snarls, and trots back into it’s castle. Michael kneels down, and begins sobbing.)

Michael: Rachel…….no……

(He stands up and begins pounding on the steel portcullis.)

Michael: I’M GOING TO KILL YOU!

(Carraway begins pulling at the steel gate, but to no avail. He falls back down to his knees, eyes weeping into his hands.)

Michael: Sam Miller. I vow from this day forward, I will never stop hunting you. I will become your predator. I am going to kill you.

(The camera switches from the weeping Carraway to a shot of the Wolf Man, who is climbing on some equipment, and hops out of the lab through the smashed stained glass window. In the center of the courtyard, Sam Miller throws his head back, and howls towards the full moon, as the screen slowly fades to black.)

Directed by Sam Fricke

Produced by Sam Fricke

Gerard Butler as Sam Miller
David Thewlis as Albert Romano
Josh Holloway as Michael Carraway
Erica Leerhsen as Rachel Howard
Karl Urban as Carl Howard
Ray Winstone as Jonathan Howard

[Dale]

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